Mar 9 '10 - Written by QasimCampaign launched to Save the BBC Asian Network

I've just flipped the switch on an exciting new project for Toronto-based arts organisation Indian Electronica - its a campaign to help channel international momentum in reaction to the BBC's announcement of plans to close their Asian Network station.

You can visit the campaign at http://savetheasiannetwork.com and read more about its justification and technical make-up in our client projects section here.

Mar 3 '10 - Written by QasimPhotos from last week's Wireside Chat with Lawrence Lessig

The event we hosted here in Toronto last week was a great success - thanks to our panelists, the OVA, Kaltura and of course, to all who came out to watch Lawrence Lessig talk via video-conference + engage with our panel! The video footage of the panel discussion is being encoded and I'll post it here later this week.

Mar 2 '10 - Written by QasimVimeo announces new 'Advanced' Statistics

I've been a fan of Vimeo for a while now - its a video hosting service similar to YouTube but with a keener appreciation of interface design and community base largely focused on cool techniques for creating motion graphics which push the envelop. 

Vimeos users are generally professionals or serious hobbyists when it comes to video - which early-on saw them creating a commercial offering called their 'Plus' service to offer hi-def video hosting/on-demand streaming with configurable embedded players which can be limited by domain and feature custom colors, logos and post-roll options.

The latest innovation in their offering for Plus account-holders is a new approach to viewing video statistics.  'PlusStats' has some nifty stats I haven't seen anywhere else - like displaying where your videos are embedded (URLs + georgraphic locations) and the number of loads vs. plays.

You can check out a demo of PlusStats here: http://www.vimeo.com/stats/demo

Feb 10 '10 - Written by QasimEVOKE - Innovatively Using Gaming to Affect Social Change

Directed by alternate reality-gaming thinker Jane McGonigal and produced/funded by the World Bank Institute, this looks like the most exciting call for social innovation using online tools yet!

Its an online game directed at affecting social change which can earn top players mentorships and a role in a World Bank sponsored summit in Washington DC.

To sign up, visit http://www.urgentevoke.com and create an account - after admin approval you'll be given access to more information about how to play... 

[Cheers to Christy Dena for the heads-up on this one]

Feb 9 '10 - Written by QasimDrupal as a Platform for Fashion 2.0

Despite my distaste for '2.0' suffixing, the term Fashion 2.0 is being used across the web in reference to new trends within the fashion industry reforming advertising, procurement, production and other aspects of business using the latest web technologies.

Without getting into the nitty gritty of how the fashion industry is specifically evolving using particular online spaces and platforms, I wanted to quickly make note of two projects we've undertaken and launched this year - Atelier Rosemarie Umetsu (http://atelierrosemarieumetsu.com) and JUMA (http://juma.ca).  Both are very different in terms of aesthetic and information architecture, so as to accurately affect the difference in how each firm does business within the industry.

Atelier Rosemarie Umetsu focuses on creating haute couture and limited, non-seasonal, lines for established female performers in the Arts.  Though not every piece they create is made to be presented on a grand stage, the Atelier's namesake owner and designer has a background in classical music - an extension of this is her tendancy to work with people socially or professionally related to the performing arts.

JUMA was founded in 2003 by brother-sister team Jamil and Alia Juma, who have since focused on creating collections seasonally which retail world-wide and target a young, hip but slightly conservative customer.  They make clothes for both men and women which can be worn in a variety of contexts, though not as formally as Atelier Rosemarie Umetsu's.

I have known both firms' owner-operators for a number of years but only been engaged commercially through Design Guru with JUMA since 2006/2007 when we worked together to create and launch their first dynamic site - which allowed functions like blogging and e-commerce and saw them develop an online identity for the label.  The time since has been a very interesting learning period for myself and the JUMA team which involved us regularly discussing the potential for independent designers to use online tools and leapfrog the barriers to market established by advertising dollars of conventionally large international fashion houses.

Only in the last few years has communication technology allowed start-ups like JUMA to build a world-wide audience and develop a relationship with fans/friends of their label that is engaging and produced with high aesthetic value.  The new site we produced and launched for them this month exemplifies this and provides platform for a truer expression of their brand than ever realized (read the case study).

Now, given that Atelier Rosemarie Umetsu is a smaller outfit which does not deal with retailers, their online needs are very different than those of JUMA.  Quite simply, the Atelier relies on word-of-mouth and mainly needed the best calling card ever - their website is essentially a modern, interactive brochure.  The site supports word-of-mouth and doesn't drive it - through mainly providing two types of content; photos and press clippings.  The photos are organized into galleries depicting events at the Atelier, custom-curated shoots held at the Atelier, clothing being worn for press shots and live at performances and so on - they collectively tell the tale of the Atelier's clothing being desirable amongst an artistic vanguard and place it within a cultural/social context.

Despite the differences between the two fashion design firms we have been working with, Drupal has proven to be an excellent platform for developing the right solution for each of their needs.  Its innate scalability means that as their business models develop, their site's can grow to feature new functionality as needed.  Being more than a simple content management system (a la Joomla/Wordpress), Drupal has allowed us to create custom dynamic data types and displays, such as the Atelier's bespoke gallery and JUMA's innovative online shopping interfaces.  As well, with OpenID and Facebook Connect logins integrated, Drupal allows labels like JUMA to use their own website as the social glue that binds audiences they develop through spaces/platforms like Facebook to hopefully drive sales whilst keep their fans/friends engaged.

In addition to technological whizzbang, both sites are very simple to update; Drupal allows us to build very simple interfaces that only present features relevant to the person looking at the site - so JUMA's interns can post to the blog, say, but not have access to e-commerce settings crucial to the firm's commercial success.  We understand that no matter what purpose websites serve to whomever we make them for, they should make life online more enjoyable, fulfilling and easy.

Now that its live, I will be posting regular updates on Fashion 2.0 lessons learned through the JUMA case-study and try to explain how Drupal can play a larger role in the fashion industry.

If you work in fashion and would like to discuss your project with us, please get in touch!

Feb 3 '10 - Written by QasimA Cheeky Advertisement for new Clients!

Advertisement for designguru.orgNow that the barrage of final touches to our 2009 projects is pretty much tackled (new client project details will be uploaded in the next few days), I've decided to place some ads on a few designguru web properties (like JoomlaFeed and WhyJoomla?) to [hopefully] usher in new work. 

Typically, I'm cautious with using our own adspace so I thought I might as well have fun with this campaign!  Kicking it off is a lovely animated 300x250 spot inspired by a favourite board-game of mine.:)

Check back for more spots as they go live!

Jan 29 '10 - Written by Qasimdesignguru.tv Episode 2 - Andrea Carson of VoCA

designguru.tv is our series of interviews and event footage featuring people we find interesting.

In this second episode Andrea Carson relates her definition of art, describes art scenes in Canada and tells us about her blog, View on Canadian Art (VoCA).

Jan 27 '10 - Written by QasimWhat is Open Video?

This short film introduces 'open video' as a movement away from corporate structures in the motion picture industry, towards creative and collaborative freedom.

Running just 1 minute long, the film was created by Qasim Virjee at designguru.org in January 2010 to be considered in competition by the Open Video Alliance.  Please leave comments on the competition page here: http://contest.openvideoalliance.org/video/17869/what-is-open-video

* You may share or remix this video in accordance with the Creative Commons BY License (creativecommons.org/licenses/by/3.0/)

FEATURING:
- Matt Black from Coldcut and Ninjatune
- Audio by Abdul Smooth
- Video footage of D-Fuse's 2009 'Particle' performance in São Paulo - shot by toby*spark

LINKS:
- ninjatune.com
- abdulsmooth.com
- dfuse.com
- sparkav.co.uk

Jan 25 '10 - Written by QasimRogers disappoints HTC users in Canada with mandatory software update

The HTC Dream was the first hardware sold with Google's Android platform, a free/open-source operating system for mobile devices.

At the end of last year, when the Canadian telecommunications giant Rogers started selling these phones, I was extremely excited to get my hands on one.  Leading up to that I had gone through 2 versions of top-end Nokia phones running on Symbian (an N80 then N95 8gb) and was keen to get a touch-screen device yet not keen on the iPhone's proprietary software and inability to legally be 'unlocked' (being someone who travels and doesn't like paying large roaming charges to monopolistic carriers like Rogers.) So, when I found an HTC Dream on craigslist around Halloween I dropped the chap a line immediately and have thoroughly enjoyed using Android since.

I must say, though I like the HTC hardware, and Android itself, I've been very unhappy with how Rogers, the carrier I use, has approached their marketing and customer service for these phones - to aide sales for HTC Magic, for example, they disabled the software keyboard on Dream models so that customers would more simply see the two phones as competiting products based on falisy - the Magic doesn't have a hardware keyboard.

In addition to cheeky advertising gimmicks, Rogers has been tardy to announce a software update for their HTC Android phones - this has sparked huge community backlash (check out this forum thread) given that version 1.5, which my phone runs, was released in April 2009 and has since been updated by Google thrice (to 1.6 in September , 2.0 in December and then 2.1 this January!)  Adding insult to injury, the version of 1.5 they have been selling phones with apparently had a flaw which disabled 911 emergency dialling access!!!

Last week I got a couple of text messages from Rogers telling me that I had to disable my GPS location service on the phone to help them troubleshoot a 911 access problem.  When I got another message from them a few days back I ignored it thinking it was the same reminder, until yesterday - when I noticed that I had no data service on my phone?!  Looking back at that txt from Rogers last night I realised that they now needed me to run a software update on my device to enable 911 and that it was 'mandatory' - without making the update within 24hrs of this notice, my data would be cut off?!!?  After booting up an old PC of mine to run the update software today (they don't support Mac), losing all my data from the phone's main memory in the process (luckily Google is the store-house for my contacts and email though I still have to reinstall all my apps), I noticed that my data service is still not working!?

I looked all over Rogers' website today, then rang them and only after being on hold for some time waiting to speak to a human tech support agent did I discover, by way of a pre-recorded on-hold message, that it could take up to 24hrs to restore data *after* installing the OS update! This wasn't in their warning txt and they never sent me an email or phonecall (an automated one would've sufficed), let alone posted this message in an accessible place on their website.  Also noteworthy is that nowhere in this fiasco did they address why this update still kept us using Android 1.5 or when a 'real' (ie. not emergency) update would be rolled out.

And so now I wait, checking to see if those little bars for service get annotated with an 'Edge' or '3g' icon...

Here's what people are tweeting about this:

Jan 13 '10 - Written by QasimThe state of the Web and why we *love* Posterous

15 years ago, the majority of websites were collections of static pages curated by people who didn't have commercial goals for whatever they published.  'Content' back then was pretty simple - usually copy with imagery comprised of posts - the Web's infrastructure was limited such that the rich media applications we take for granted today (eg. on-demand video streaming) couldn't exist due to phenomena such as bandwidth limitations and even the youthful innocence of html itself.

Through the boom-days of the mid-late 1990s however, 'content' became something salable (either itself holding perceived monetary value or otherwise by driving 'traffic' that could be sold through advertising) and the whole Web took on a more impersonal aesthetic.  The birth of 'portals' and establishment of ubiquitous banner advertising space imbibed the Web with uninspired/unrealistic commercial purpose and through the early 00s it was difficult for people to regain pre-boom enthusiasm for using web-space as room for un-justified self-expression.

Something changed in the middle of this decade however; the Web had grown-up infra-structurally; for most parts of the world, access speeds to the Internet sufficed delivery of rich media and access points were more numerous than ever before - these coupled with people en masse feeling familiar with the Web through using it to acquire common and specialized knowledge [from reading news sites to wikipedia to finding anything query-able through Google] plus do common tasks (such as banking), allowed the Web to take on a new social significance.  Since the beginning of the Web, there had always been potential for social interaction on it, but until this simple concept became popularized by mainstream [news] media outlets, middling academics, the marketing establishment grasping at new media straws, and others as the 'new Web' or 'Web 2.0,' there wasn't much gusto for new platforms and services to be developed which could stitch social interactions on the web together.

As spaces and platforms emerged through the 00s - all flying the flag of Web 2.0, it seems that people had become used to socializing online and this familiarity begged a feeling of corpus to relate conversations to.  Whether that corpus means a central space on the web to express oneself better-than-elsewhere or simply tie together one's multitude of identities/accounts, easy-to-update websites typically featuring a list of reverse-chronologically-ordered posts, known as 'blogs' seem to have become de facto - in being cheap, accessible and visible [re: Google and being part of a host network etc...].

By the end of the 00s the Web was more universal than ever before and had gone through its second major commercial experience; not in providing platform for commercial activity as in the 90s but this time by being rebranded.  'Web 2.0' is somewhat of a misnomer in propagating the myth of online social interaction being a *new* phenomena.  Right now Facebook, say, has over 350,000,000 users from around the planet all sharing media and confabulation with each other often, but because it is a closed space (registration is required to play children!), with an internal culture developing [framed by its functional tool-set and native user interface], its members are hindered in believing that the interaction they experience can exist simply by virtue of them being on the Web.

The nature of the web though is Open - its developed spaces may be vast and exclusive, as with Facebook, but in attempts to reach the largest audience [and convert them somehow into customers?], the companies and individuals acting as developers must address the issue of common space; in so far as interfacing with each other. The truth in this has been witnessed recently with networks trying to become platforms by opening up Application Programming Interfaces [APIs] which allow information interchange across their virtual borders.  Blogs should not require duplicate manual posting in order to maintain one's identity between semi-closed networks but instead act more organically as repositories of one's actions online - with media detailing one's online interests and activities.  The development of these repositories should be somewhat effortless [ideally even doing away with cut'n'paste?] in order for their truth in being reflections of one's identity to be more accurate.

Moving into the teens of this new millennium, 'content' will become more fluid through multi-media socializing and online spaces will become more accessible allowing for dialogues to exist cross-platform.  Posterous is the best example available for demonstrating how a blog can become a more social corpus which is automated to yield the effect of organic development.  After signing up for a [free] Posterous account, you can setup a blog in seconds; choosing a theme for it or even jumping into custom creating your own aesthetic [with a single-file html/css template editable through their web-based administration area].  Then the fun begins - Posterous is uniquely innovative in allowing you to 'autopost' your Posterous content to many other 'Web 2.0' spaces/networks/platforms - among other things, your blog posts can now automagically:

  • Tweet links to themselves,
  • Post (per-tag etc...) to another website - such as your company's Wordpress or Drupal-powered website,
  • Upload photos to your flickr photostream,
  • Update your status on Facebook,
  • Upload videos to Youtube,
  • Podcast audio recordings.

This new decade promises continued adoption of 'smart-phones' worldwide as well as increased bandwidth; allowing more people to easily create/capture multi-media and get it online with little noticeable delay - we've already seen this with the rise of citizen journalism [re: Iran's political turmoil through 2009...].  Of course, no matter how much trend-spotters may say that mobile devices will be using fewer Operating Systems [due to larger adoption or Android my handset manufacturers and Apple's continued sales of the iPhone], the vast majority of mobile devices on data connections to Edge/3g/HSPDA/4g networks all offer email.

Posterous has taken a brilliant stance in upholding email as the primary means for its users to get their content online.  Once you have an account, simply email posterous.com your content and it will automatically appear on your blog in seconds, and be autoposted to the applicable external accounts you hold (with platforms like Twitter or sites like Flickr).  They have a bevy of options for flagging content to just be autoposted to specific accounts, and offer you multiple Posterous blogs to which you can as well flag email posts to be directed very easily.

Of course, you aren't limited to posting via email; as with most conventional CMS/blogging systems you can login via the web to type up posts or use their amazingly simple Bookmarklet - which loads through your browser and can retrieve multimedia content from nearly any [non-flash] website for you to comment on and instantly publish to your Posterous blog.

The implications of using email to feed a Posterous blog and, by-extension, one's other online accounts, are tremendous.  Think beyond urban locations in North American or European countries - think beyond the policing that limits the Web's visibility in places like Iran or China; the world uses email and if a computer or mobile (or any other) device can connect to the Internet, irrespective of the Web, individuals and organizations can now post to their blog(s) easier than ever before, *and* to a multitude of other spaces/networks/platforms that collectively make up the most true and lag-less online corpus they've ever been able to have.

For many people around the world just now adopting the Web, Posterous [and the virtues it upholds + copycat service providers + innovators to follow] may offer the ability to exist online more sociably and effectively than ever before - participating actively in previously closed-door or otherwise inaccessible conversations, with conceptual freedom that is a core facet of the Web, and technical ease.

Syndicate content